Mapping the Sensible : Distribution, Inscription, Cinematic Thinking

dc.contributor.author	Carter, Erica
dc.contributor.author	Rositzka, Eileen
dc.contributor.author	Malcomess, Bettina
dc.date.accessioned	2023-01-30T17:08:51Z
dc.date.available	2023-01-30T17:08:51Z
dc.date.issued	2022
dc.identifier	ONIX_20230130_9783110769012_87
dc.identifier.issn	2626-9198
dc.identifier.uri	https://library.oapen.org/handle/20.500.12657/61129
dc.description.abstract	Mapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a ‘distribution of the sensible’ (Carter) and a mode of culturally and historically located cinematic thinking (Rositzka).
dc.language	English
dc.relation.ispartofseries	Cinepoetics Essay
dc.subject.classification	thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema	en_US
dc.subject.other	Mapping postcolonialism
dc.subject.other	cinematic experience
dc.subject.other	embodied mobilities
dc.title	Mapping the Sensible
dc.title.alternative	Distribution, Inscription, Cinematic Thinking
dc.type	book
oapen.identifier.doi	10.1515/9783110769012
oapen.relation.isPublishedBy	2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isbn	9783110769012
oapen.relation.isbn	9783110768985
oapen.relation.isbn	9783110769050
oapen.imprint	De Gruyter
oapen.series.number	3
oapen.pages	157
oapen.place.publication	Berlin/Boston