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dc.contributor.authorda Silva, Fabio Mario
dc.contributor.authorGoor, Iracema
dc.date.accessioned2023-05-01T13:41:04Z
dc.date.available2023-05-01T13:41:04Z
dc.date.issued2023
dc.identifierONIX_20230501_9791221500103_112
dc.identifier.issn2612-7970
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/62696
dc.languagePortuguese
dc.relation.ispartofseriesLibere carte
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JP Politics and governmenten_US
dc.subject.otherPrinces
dc.subject.otherPrincesses
dc.subject.otherFlorbela Espanca
dc.subject.othereuropean culture
dc.titleChapter Os príncipes e as princesas de Florbela
dc.typechapter
oapen.abstract.otherlanguageImages of “princes” and “princesses” can be found in a number of Florbela Espanca’s works. Indeed in some poems she goes as far as to represent herself as such, highlighting these terms in both titles and content, notably, in two sonnets. Our intention here is to analyze these representations first as something recurrent in European literature and then by examining the way Florbela takes them up, deploying two very characteristic angles of her poetics, namely her values. However, we will first review the historical context in which the poetess lived, more specifically in Vila Viçosa, with its palaces and castles,which housed the last of Portugal’s kings.
oapen.identifier.doi10.36253/979-12-215-0010-3.21
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221500103
oapen.series.number14
oapen.pages9
oapen.place.publicationFlorence


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