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dc.contributor.authorProsperi, Martina Renata
dc.date.accessioned2023-05-01T13:46:59Z
dc.date.available2023-05-01T13:46:59Z
dc.date.issued2023
dc.identifierONIX_20230501_9791221500684_270
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/62854
dc.description.abstractYiyun Li, b. 1972, moved from Beijing to the US in 1996, where she soon realized to be a talented writer. Although her early works, including the collections of short stories A Thousand Years of Good Prayers (2005) and Gold Boy, Emerald Girl (2010), and the novels The Vagrants (2009) and Kinder Than Solitude (2014), still privileged Chinese settings and characters, after the publication of her memoir Dear Friend, from My Life I Write to You in Your Life (2017) the literary landscape depicted by Li was amplified with autobiographical anecdotes and reflections on literature, human relations and language. Building upon psychoanalytical hints, this article offers a close reading of Where Reasons End (2019) and Must I Go (2020), reflecting on Li’s literature from a global perspective, and arguing that her contribution to world literature lies in her bold dissociation from any conventional, crystallized and thus imprisoning use of language.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherYiyun Li
dc.subject.otherWorld Literature
dc.subject.otherSinophone Studies
dc.subject.otherExophony
dc.subject.otherJacques Lacan
dc.titleChapter Writing for the wor(l)ds: the reflection on language in Yiyun Li’s literary production
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0068-4.14
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221500684
oapen.series.number248
oapen.pages16
oapen.place.publicationFlorence


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