Digitale d’autore
Macchine, archivi e letterature
dc.contributor.author | CARBE', EMMANUELA | |
dc.date.accessioned | 2023-05-01T13:55:38Z | |
dc.date.available | 2023-05-01T13:55:38Z | |
dc.date.issued | 2023 | |
dc.identifier | ONIX_20230501_9791221500233_8 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/62861 | |
dc.language | Italian | |
dc.relation.ispartofseries | Studi di letterature moderne e comparate | |
dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies | en_US |
dc.subject.other | born-digital archives | |
dc.subject.other | digital humanities | |
dc.subject.other | digital preservation | |
dc.subject.other | contemporary literature | |
dc.title | Digitale d’autore | |
dc.title.alternative | Macchine, archivi e letterature | |
dc.type | book | |
oapen.abstract.otherlanguage | The book starts with an introductory exploration on how writers use computers; gives a definition of Born-digital Literary Archives, provides a few examples from the international panorama and carries out a mapping of digital archives in Italy with a particular focus on Franco Fortini’s Archive held at the University of Siena. The volume offers a summary of the first Italian project devoted to the Italian born-digital literary archives, PAD - Pavia Digital Archives, by analysing the process of acquisition and management of the materials, now kept at the Centro Manoscritti in Pavia. Finally a critical analysis of Francesco Pecoraro’s first three works is offered through an examination of his digital archive in Pavia. | |
oapen.identifier.doi | 10.36253/979-12-215-0023-3 | |
oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
oapen.relation.isbn | 9791221500233 | |
oapen.relation.isbn | 9791221500226 | |
oapen.relation.isbn | 9791221500240 | |
oapen.relation.isbn | 9791221500257 | |
oapen.series.number | 1 | |
oapen.pages | 176 | |
oapen.place.publication | Florence |