When Music Takes Over in Film
| dc.contributor.editor | Anna K. Windisch | |
| dc.contributor.editor | Tieber, Claus | |
| dc.contributor.editor | Powrie, Phil | |
| dc.date.accessioned | 2023-06-30T04:00:49Z | |
| dc.date.available | 2023-06-30T04:00:49Z | |
| dc.date.issued | 2023 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/63709 | |
| dc.description.abstract | This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. | |
| dc.language | English | |
| dc.subject.other | Filmwissenschaft, Filmmusik, Film Musical, Film Theorie | de |
| dc.subject.other | Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Filmwissenschaft (604011) | de |
| dc.subject.other | Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024) | de |
| dc.subject.other | Film Studies, Film Music, Film Musical, Film Theory | en |
| dc.subject.other | Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Film studies (604011) | en |
| dc.subject.other | Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024) | en |
| dc.title | When Music Takes Over in Film | de |
| dc.type | book | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Dieser Open Access Sammelband behandelt musikalische Momente im Film als zentrales und wegweisendes Thema aktueller Filmmusikforschung. Musikalische Momente wie von Amy Herzog (2009) definiert, treten dann auf, wenn die konventionelle Beziehung im Film zwischen Bild und Ton umgekehrt wird, so dass das was wir sehen von dem was wir hören bestimmt wird. Diese Definition ermöglicht neue Ansätze um besonders das disruptive Potential dieser musikalischen Momente und Nummern als kreatives Mittel der Produktion audiovisueller Erzählungen zu untersuchen. | |
| oapen.identifier.doi | 10.1007/978-3-030-89155-8 | |
| oapen.relation.isPublishedBy | Springer Nature | |
| oapen.relation.isFundedBy | Austrian Science Fund (FWF) | |
| oapen.relation.isbn | 9783030891541 | |
| oapen.collection | Austrian Science Fund (FWF) | |
| oapen.imprint | Palgrave Macmillan | |
| oapen.grant.number | PUB 943 |
