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dc.contributor.authorQuené, Saskia C.
dc.date.accessioned2023-07-04T15:55:32Z
dc.date.available2023-07-04T15:55:32Z
dc.date.issued2023
dc.identifierONIX_20230704_9783422800533_9
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/63760
dc.languageGerman
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.classificationthema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval styleen_US
dc.subject.classificationthema EDItEUR::6 Style qualifiers::6R Styles (R)::6RC Renaissance styleen_US
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and paintingen_US
dc.subject.otherGold ground
dc.subject.otherperspective renaissance
dc.subject.othermedieval art
dc.titleGoldgrund und Perspektive
dc.title.alternativeFra Angelico im Glanz des Quattrocento
dc.typebook
oapen.abstract.otherlanguageMonographic study of the gold ground in Italian panel painting. Analyzes the art historiographical use of the term in the 20th century. "Gold ground" and "perspective" are not thought of as oppositional. For example, Fra Angelico is shown to develop strategies for perspective representation from within the gold ground. Notes theological, philosophical, and historico-scientific sources.
oapen.identifier.doi10.1515/9783422800533
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
oapen.relation.isbn9783422800533
oapen.relation.isbn9783422989382
oapen.relation.isbn9783422800540
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprintDeutscher Kunstverlag (DKV)
oapen.pages332
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]


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