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dc.contributor.authorBalme, Christopher B.
dc.date.accessioned2023-07-17T08:33:16Z
dc.date.available2023-07-17T08:33:16Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/63972
dc.description.abstractThe introduction outlines the main trajectories of the Cultural Cold War, starting with the revelations in the late 1960s that the CIA was using various front organizations to fund culture abroad as a way to combat Soviet influence. It adds to the familiar narrative by showing that the Cultural Cold War needs to be re-evaluated on the one hand by focusing on US philanthropy in the postcolonial world. On the other hand there is a need to examine Soviet and East European initiatives in the newly independent nations from the perspective of cultural diplomacy and soft power. The activities on both sides of the Iron Curtain testify to the recognition on the part of US policy makers that the emerging postcolonial world needed substantial investment in cultural infrastructure if it was to resist the blandishments of socialism, to which many of its leaders were ideologically attracted, if not aligned. The final section outlines the four sections that structure the volume: Networks and Institutions; Cultural Diplomacy; Artists and Agency; and Cultures of Things.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH Historyen_US
dc.subject.otherCultural Cold War, decolonization, postcolonial studies, cultural diplomacy, national theatreen_US
dc.titleChapter 1 Introductionen_US
dc.typechapter
oapen.identifier.doi10.4324/9781003196334-1en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBook9e1ecd82-6dee-4ba3-868c-8afb9a3cf77aen_US
oapen.relation.isFundedBy178e65b9-dd53-4922-b85c-0aaa74fce079en_US
oapen.relation.isbn9781032051581en_US
oapen.relation.isbn9781032051611en_US
oapen.collectionEuropean Research Council (ERC)en_US
oapen.imprintRoutledgeen_US
oapen.pages16en_US
oapen.grant.number694559
oapen.grant.projectERC Developing Theatre
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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