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dc.contributor.authorCalderón Sandoval, Orianna
dc.contributor.authorSánchez Espinosa, Adelina
dc.date.accessioned2023-07-20T09:26:30Z
dc.date.available2023-07-20T09:26:30Z
dc.date.issued2022
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/64027
dc.description.abstractThe aim of this chapter is to analyse how two documentary films, Elisabetta Lodoli's Ma l'amore c'entra? and Isabel de Ocampo's Serás Hombre, critically explore the interrelation between the performance of hegemonic masculinities and gender-based violence. Our methodology focuses on the affective and performative dimensions of documentary cinema since we look for ways in which emotions work in and through gender-based violence, shaping performances of masculinity. We also identify ‘moments of affection’, where possibilities of transformation can be envisioned. The chapter is divided into four sections. The first provides the theoretical framework, which combines feminist critiques of how gender-based violence is represented in mainstream media, the intersections between the exercise of violence and the performance of masculinity, and a description of what a performative and affective approach to the analysis of documentary cinema entails. The second and third sections present the analysis of our case studies. With hate and anger as our entry points, we close-read selected scenes from each film, incorporating opinions expressed by their directors and reactions from spectators. We conclude by summarising the modes in which our case studies set into motion ways of performing cultures of gender equality on both sides of the camera and the screen.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropologyen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropologyen_US
dc.subject.otherAnthropology, social anthropology, culture, inequality, violence, masculinity, genderen_US
dc.titleChapter 7 Gender-Based Violence and the Performance of Masculinityen_US
dc.title.alternativeA Comparative Analysis of the Documentary Films Ma l’amore c’entra? and Serás hombreen_US
dc.typechapter
oapen.identifier.doi10.4324/9781003162759-9en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBook893790bb-089f-48c9-a0ec-ad6b877fc0d5en_US
oapen.relation.isFundedBy4b29ff5a-91d7-4951-b3ec-a5f90a380aa4en_US
oapen.relation.isbn9780367755010en_US
oapen.relation.isbn9780367755096en_US
oapen.imprintRoutledgeen_US
oapen.pages18en_US
oapen.remark.publicThis was funded by the project Laboratorios de enseñanza responsable con perspectiva de género: La interacción entre culturas literarias y visuales como agente de intervención social (ResLab) financed with the aid P20_00337 granted by the Consejería de la Universidad, Investigación e Innovación de la Junta de Andalucía and by FEDER, Una manera de Hacer Europa. The ResLab Project (2021–2023) is led by Adelina Sánchez Espinosa at the University of Granada.


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