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dc.contributor.editorFarafonova, Daria
dc.contributor.editorSalmon, Laura
dc.contributor.editorALOE, Stefano
dc.date.accessioned2023-08-03T14:57:33Z
dc.date.available2023-08-03T14:57:33Z
dc.date.issued2023
dc.identifierONIX_20230803_9791221501223_19
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/74801
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherDostoevsky
dc.subject.otherParadox
dc.subject.otherHumor
dc.subject.otherDeconstruction
dc.subject.otherComparative Studies
dc.titleФ.М. Достоевский: Юмор, парадоксальность, демонтаж
dc.typebook
oapen.abstract.otherlanguageWhile the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
oapen.identifier.doi10.36253/979-12-215-0122-3
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221501223
oapen.relation.isbn9791221501216
oapen.relation.isbn9791221501230
oapen.relation.isbn9791221501247
oapen.series.number52
oapen.pages222
oapen.place.publicationFlorence


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