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dc.contributor.authorKazakov, Alexey
dc.contributor.authorKotel'nikov, Vladimir
dc.date.accessioned2023-08-03T15:09:06Z
dc.date.available2023-08-03T15:09:06Z
dc.date.issued2023
dc.identifierONIX_20230803_9791221501223_162
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/74966
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherDostoevsky
dc.subject.otherdeconstruction
dc.subject.otherdismantling
dc.subject.otherparadoxicity
dc.subject.otherChristian idea
dc.titleChapter Деконструкция в романах Достоевского: замыслы, планы, подготовительные материалы, основной текст
dc.typechapter
oapen.abstract.otherlanguageDeconstruction in Dostoevsky’s Novels: Ideas, Plans, Preparatory Materials, Main Text . This article examines the role of deconstruction in Dostoevsky’s novels as a technique for bringing the ideological and psychological components of images into collision. These images are imbued with complex paradoxical meaning, revealing anthropological and philosophical issues in the writer’s work. Crime and Punishment advances the theme of a need for crime in order to achieve the moral rebirth of the hero. Moving forward on this path, the novel dismantles both inner and outer limits in the space of the hero. In The Idiot, Dostoevsky links passionate and antagonistic motifs to the Christian idea, thereby deconstructing boththe entire ethical concept of Myškin and the narrative associated with it. In The Adolescent the main character is subjected to destructive motivational interventions.
oapen.identifier.doi10.36253/979-12-215-0122-3.04
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isPartOfBookФ.М. Достоевский: Юмор, парадоксальность, демонтаж
oapen.relation.isPartOfBookbf5768b0-3a15-46c5-b309-49f31339b93d
oapen.relation.isbn9791221501223
oapen.series.number52
oapen.pages6
oapen.place.publicationFlorence


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