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dc.contributor.authorApollonio, Carol
dc.contributor.authorGarstka, Christoph
dc.date.accessioned2023-08-03T15:09:19Z
dc.date.available2023-08-03T15:09:19Z
dc.date.issued2023
dc.identifierONIX_20230803_9791221501223_166
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/74970
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherDostoevsky
dc.subject.otherascetism
dc.subject.othersectarianism
dc.subject.othercastrates
dc.subject.otherdrunkenness
dc.titleChapter Ascetism and Incontinence and Dostoevsky’s Gift of Tears
dc.typechapter
oapen.abstract.otherlanguageIn Dostoevsky’s binary poetics, an opposition can be drawn between two fundamental stances – asceticism and incontinence. Ascetics adhere to an ethos of self-restraint in response to the desires of the flesh. Incontinents act spontaneously to gratify their desires. The current study draws an analogy between the behavior pattern of Dostoevsky’s self-denying intellectual heroes and that of exiled castrate (skoptsy) communities. Dostoevsky’s ascetics represent a cerebral mindset attracted to visions of social utopia; their intellectualizing detaches them from the life of the body and thus weirdly parallels the strictures of the skoptsy. An encounter between an ascetic and a prostitute serves as a central plot moment in works such as Crime and Punishment and Notes from Underground.
oapen.identifier.doi10.36253/979-12-215-0122-3.08
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isPartOfBookФ.М. Достоевский: Юмор, парадоксальность, демонтаж
oapen.relation.isPartOfBookbf5768b0-3a15-46c5-b309-49f31339b93d
oapen.relation.isbn9791221501223
oapen.series.number52
oapen.pages10
oapen.place.publicationFlorence


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