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dc.contributor.authorGarstka, Christoph
dc.contributor.authorисаков, александр1769
dc.date.accessioned2023-08-03T15:09:23Z
dc.date.available2023-08-03T15:09:23Z
dc.date.issued2023
dc.identifierONIX_20230803_9791221501223_167
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/74971
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherDostoevsky – Netochka Nezvanova – Tragicomic – Asthetic existence – Hybris
dc.titleChapter Нелепые отцы в художественном мире Ф.М. Достоевского
dc.typechapter
oapen.abstract.otherlanguageFunny Fathers. Types of the ridiculous old man in Dostoevsky’s novels. The first chapters from Dostoevsky’s novel Netochka Nezvanova deal with the fate and the peculiar story of life of the heroine’s stepfather. He is called Efimov and, being an alcoholic and overconfident, he plunges his family into misery. Therefore, he can be considered a prototype of ridiculous father figures occurring in the great novels (Marmeladov from Crime and Punishment, General Ivolgin from The Idiot and Stepan Trofimovič from The Demons). The article focuses on the determining character traits of these figures who embody the dramatic failure of the father generation. While characterising those laughable vecchi, special attention is given to the seemingly paradox criterium of the tragicomic, which finally results in questioning the tension between freedom and a predetermined fate.
oapen.identifier.doi10.36253/979-12-215-0122-3.09
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isPartOfBookФ.М. Достоевский: Юмор, парадоксальность, демонтаж
oapen.relation.isPartOfBookbf5768b0-3a15-46c5-b309-49f31339b93d
oapen.relation.isbn9791221501223
oapen.series.number52
oapen.pages10
oapen.place.publicationFlorence


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