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dc.contributor.authorBarsht, Konstantin
dc.contributor.authorChichkine, Andrei
dc.date.accessioned2023-08-03T15:09:45Z
dc.date.available2023-08-03T15:09:45Z
dc.date.issued2023
dc.identifierONIX_20230803_9791221501223_174
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/74978
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherDostoevsky
dc.subject.otherThe Brothers Karamazov
dc.subject.otherSlavonicisms
dc.subject.otherparadox
dc.subject.otherdialogue with the Devil
dc.titleChapter О славянизмах в Братьях Карамазовых
dc.typechapter
oapen.abstract.otherlanguageAbout Slavonicisms in The Brothers Karamazov. This work draws attention to the function of Slavonicisms in The Brothers Karamazov. In the last dialogue between Kolja Krasotkin and Alesha Karamazov, Kolja’s lines about postmortality or immortality are stylistically limited to the framework of the middle-lower register of Russian and thus exclude any metaphysical component. Alesha’s response, in contrast, is constructed in a Slavonic idiolect that belongs simultaneously to the conventional and to the mythopoetic. Another case of this appeal to the Slavonic register may be found in the dispute between Ivan and the devil regarding the recognition or denial of the incarnation of evil in the world. Claiming incarnation, Satan tries to demonstrate the equivalence of demonic and human nature. The primary instrument deployed in this argument is a Slavonicism, claimed by Satan, but which does not belong to him.
oapen.identifier.doi10.36253/979-12-215-0122-3.16
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isPartOfBookbf5768b0-3a15-46c5-b309-49f31339b93d
oapen.relation.isbn9791221501223
oapen.series.number52
oapen.pages10
oapen.place.publicationFlorence


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