Chapter Het baton-plafond

dc.contributor.author	Wennekes, Emile
dc.date.accessioned	2023-10-12T13:14:12Z
dc.date.available	2023-10-12T13:14:12Z
dc.date.issued	2023
dc.identifier	ONIX_20231012_9789048560110_22
dc.identifier.uri	https://library.oapen.org/handle/20.500.12657/76696
dc.language	Dutch
dc.subject.other	female musicians
dc.subject.other	symphony orchestras
dc.subject.other	Lydia Tár
dc.subject.other	baton barrier
dc.title	Chapter Het baton-plafond
dc.type	chapter
oapen.abstract.otherlanguage	It remains very exceptional when highly gifted women musicians are crowned maestra, conductor of a symphony orchestra. There are various explanations for this deprivation. Contextualised in historical and statistical data, this article zooms in on what I refer to as the ‘baton barrier’. Not so much of an invisible boundary as has become known as the glass ceiling, preventing women their upward mobility, for ages, this musical barrier has been in our face: literally, the image, the portrayal of the traditionally masculine orchestral director.
oapen.identifier.doi	10.5117/9789048560110_wennekes
oapen.relation.isPublishedBy	dd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isPartOfBook	95ba63c0-4a4a-4684-a56c-73ba347aa51b
oapen.relation.isFundedBy	b586072e-2e5d-469f-8332-217c0beb5b08
oapen.relation.isFundedBy	4d864437-7722-4c66-b80f-140a98d4bca9
oapen.relation.isbn	9789048560110
oapen.relation.isbn	9789048560127
oapen.pages	9
oapen.place.publication	Amsterdam
oapen.grant.number	[...]
oapen.grant.number	[...]