Figures of Radical Absence
Blanks and Voids in Theory, Literature, and the Arts
dc.contributor.author | Irimia, Alexandra-Ecaterina | |
dc.date.accessioned | 2023-10-20T15:25:38Z | |
dc.date.available | 2023-10-20T15:25:38Z | |
dc.date.issued | 2023 | |
dc.identifier | ONIX_20231020_9783111150581_39 | |
dc.identifier.issn | 2194-7104 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/76945 | |
dc.description.abstract | What is there to see in invisible artworks, empty books or blank screens? How do formal absences generate meaning? Constructing an argument by way of montage, the book is an annotated inventory of textual, visual, and conceptual figures of absence. Spanning across media, they reveal a creative tradition that uses absence not as a negative aesthetic category, but as a productive state of radical indeterminacy, with politics and poetics of its own. | |
dc.language | English | |
dc.relation.ispartofseries | Culture & Conflict | |
dc.subject.other | Comparative literature | |
dc.subject.other | experimental art | |
dc.subject.other | cultural studies | |
dc.subject.other | theory of absence | |
dc.subject.other | Maurice Blanchot | |
dc.subject.other | Marguerite Duras | |
dc.subject.other | Hans Belting | |
dc.subject.other | Ernesto Laclau | |
dc.title | Figures of Radical Absence | |
dc.title.alternative | Blanks and Voids in Theory, Literature, and the Arts | |
dc.type | book | |
oapen.identifier.doi | 10.1515/9783111150581 | |
oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
oapen.relation.isFundedBy | af36965a-1484-43e1-9093-bffb7e62e825 | |
oapen.relation.isbn | 9783111150581 | |
oapen.relation.isbn | 9783111149158 | |
oapen.relation.isbn | 9783111150703 | |
oapen.imprint | De Gruyter | |
oapen.series.number | 24 | |
oapen.pages | 216 | |
oapen.place.publication | Berlin/Boston | |
oapen.grant.number | [...] |