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dc.contributor.editorGrüny, Christian
dc.contributor.editorFarnsworth, Brandon
dc.date.accessioned2023-11-13T16:42:35Z
dc.date.available2023-11-13T16:42:35Z
dc.date.issued2024
dc.identifierONIX_20231113_9783662671313_37
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/85090
dc.description.abstractWhile institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
dc.languageEnglish
dc.relation.ispartofseriesÄsthetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens
dc.subject.otherInstitutional Critique
dc.subject.otherContemporary Music
dc.subject.otherFestivals
dc.subject.otherNew Music
dc.subject.otherMusical Production
dc.titleNew Music and Institutional Critique
dc.typebook
oapen.identifier.doi10.1007/978-3-662-67131-3
oapen.relation.isPublishedBy6c6992af-b843-4f46-859c-f6e9998e40d5
oapen.relation.isFundedByd4815039-28fc-4378-82ef-c4e657e6aad9
oapen.relation.isFundedBy9eaaaf3f-dade-4e24-9cd3-439a7768d65d
oapen.relation.isbn9783662671313
oapen.relation.isbn9783662671306
oapen.imprintJ.B. Metzler
oapen.pages205
oapen.place.publicationBerlin, Heidelberg
oapen.grant.number[...]
oapen.grant.number[...]


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