Il tempo del diaspro. La litosfera di Luigi Meneghello
| dc.contributor.author | Salvadori, Diego | |
| dc.date.accessioned | 2023-11-27T17:05:05Z | |
| dc.date.available | 2023-11-27T17:05:05Z | |
| dc.date.issued | 2023 | |
| dc.identifier | ONIX_20231127_9791221501483_4 | |
| dc.identifier.issn | 2420-8361 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/85575 | |
| dc.language | Italian | |
| dc.relation.ispartofseries | Biblioteca di Studi di Filologia Moderna | |
| dc.subject.other | Comparative Literature | |
| dc.subject.other | Ecocriticism | |
| dc.subject.other | Lapidaries | |
| dc.subject.other | Luigi Meneghello | |
| dc.subject.other | Material Imagination | |
| dc.title | Il tempo del diaspro. La litosfera di Luigi Meneghello | |
| dc.type | book | |
| oapen.abstract.otherlanguage | In Luigi Meneghello’s work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer’s material and scientific imagery. Meneghello quite literally seems to have ‘stratified’ his creative work through using this imagery, from the lithogenesis of writing to the semantics of the crystal, petrifying reveries, and the effusive magma of language. The líthos is used as a ‘probe’, a hermeneutic sounding device through which to investigate cultural systems, the sedimentation of collective memory, and the role of writing itself, and it functions as a privileged access key to the author’s poetics. | |
| oapen.identifier.doi | 10.36253/979-12-215-0148-3 | |
| oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
| oapen.relation.isbn | 9791221501483 | |
| oapen.relation.isbn | 9791221501490 | |
| oapen.series.number | 73 | |
| oapen.pages | 134 | |
| oapen.place.publication | Florence |
