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dc.contributor.authorIngravalle, Grazia
dc.date.accessioned2024-01-02T13:21:34Z
dc.date.available2024-01-02T13:21:34Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/86364
dc.description.abstractArchival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.en_US
dc.languageEnglishen_US
dc.relation.ispartofseriesFraming Filmen_US
dc.subject.otherFilm Archives and Museums, Early and Silent Cinema, Film Curatorship, Digital Turn, Film Historiographyen_US
dc.titleArchival Film Curatorshipen_US
dc.title.alternativeEarly and Silent Cinema from Analog to Digitalen_US
dc.typebook
oapen.identifier.doi10.5117/9789463725675en_US
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857aen_US
oapen.relation.isbn9789463725675en_US
oapen.pages241en_US
oapen.place.publicationAmsterdamen_US


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