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dc.contributor.editorLepri, Valentina
dc.date.accessioned2024-02-23T13:30:37Z
dc.date.available2024-02-23T13:30:37Z
dc.date.issued2023
dc.identifierONIX_20240223_9783111072722_45
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/87845
dc.description.abstractHow can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student’s desk to consider instructions on note-taking methods that students could receive from manuals of various kinds. ; How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student’s desk to consider instructions on note-taking methods that students could receive from manuals of various kinds.
dc.languageEnglish
dc.relation.ispartofseriesRenaissance Mind
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural historyen_US
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHF Medieval Western philosophyen_US
dc.subject.otherRenaissance
dc.subject.otherLernen
dc.subject.otherManuskript
dc.subject.otherUniversität
dc.subject.otherlearning
dc.subject.otheruniversity
dc.subject.othernotebook
dc.subject.othermanuscripts
dc.titleKnowledge Shaping
dc.title.alternativeStudent Note-taking Practices in Early Modernity
dc.typebook
oapen.identifier.doi10.1515/9783111072722
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isbn9783111072722
oapen.relation.isbn9783111073262
oapen.relation.isbn9783111072609
oapen.imprintDe Gruyter
oapen.series.number1
oapen.pages263
oapen.place.publicationBerlin/Boston


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