Chapter Visioni di Salomè. L’orrore del sogno in un frammento teatrale di Pessoa
| dc.contributor.author | Ragusa, Andrea | |
| dc.date.accessioned | 2024-04-02T15:48:51Z | |
| dc.date.available | 2024-04-02T15:48:51Z | |
| dc.date.issued | 2023 | |
| dc.identifier | ONIX_20240402_9791221502787_149 | |
| dc.identifier.issn | 2975-0229 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/89180 | |
| dc.language | Italian | |
| dc.relation.ispartofseries | Studi di letterature moderne e comparate | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies | |
| dc.subject.other | Fernando Pessoa | |
| dc.subject.other | static dramas | |
| dc.subject.other | contemporary Portuguese theatre | |
| dc.subject.other | violence | |
| dc.subject.other | heteronyms | |
| dc.title | Chapter Visioni di Salomè. L’orrore del sogno in un frammento teatrale di Pessoa | |
| dc.type | chapter | |
| oapen.abstract.otherlanguage | Fernando Pessoa's "static dramas" - fourteen are currently known, all of them unfinished and fragmentary, except The Sailor - mirror the heteronymism that characterises, in a broad sense, his entire work. A theatre of words, of situation rather than of action, which is realised in a dialectical superimposition of the inner level with the outer one and in a mechanism that through recourse to dreams, as an active instrument of poetic creation, generates mystery and horror. The fragments of Salome, a drama probably composed in the period 1917-1918, are a highly significant example not only of Pessoa's static/estatic tendency, but also of the need to represent in various declinations the 'subtle intellectual terror' that constitutes his dramatic vocation. | |
| oapen.identifier.doi | 10.36253/979-12-215-0278-7.09 | |
| oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
| oapen.relation.isbn | 9791221502787 | |
| oapen.imprint | USiena Press | |
| oapen.series.number | 3 | |
| oapen.pages | 8 | |
| oapen.place.publication | Florence |
