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dc.contributor.authorDe Angeli, Aglaia
dc.date.accessioned2024-04-02T15:50:02Z
dc.date.available2024-04-02T15:50:02Z
dc.date.issued2023
dc.identifierONIX_20240402_9791221502428_189
dc.identifier.issn2975-0261
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/89220
dc.description.abstractThis chapter evaluates the role of photography in witnessing the modernising process in China during the late Qing period and conflicts which stemmed from it. The camera, introduced in China during the First Opium War (1839–1842), allowed Western eyes to record the establishment of trade routes and associated facilities. The photos examined here were taken immediately before and during the Russo-Japanese War. The photographs appear to have been focusing on technological developments in trade infrastructure, but they also captured the conspicuous Japanese and Russian military presence. Consequently, the photographs reveal the Western role in the “development” of China by its incorporation into global trading networks and violent conflicts fought over control of this infrastructure.
dc.languageEnglish
dc.relation.ispartofseriesConnessioni. Studies in Transcultural History
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History
dc.subject.otherPhotography
dc.subject.otherChina
dc.subject.otherRusso-Japanese War
dc.subject.otherInfrastructure
dc.subject.otherTrade
dc.titleChapter Captured Glimpses of Modernity and War in Late Qing China
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0242-8.11
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221502428
oapen.series.number2
oapen.pages21
oapen.place.publicationFlorence


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