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dc.contributor.authorHundorova, Tamara
dc.date.accessioned2024-04-02T15:50:42Z
dc.date.available2024-04-02T15:50:42Z
dc.date.issued2023
dc.identifierONIX_20240402_9791221502381_212
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/89243
dc.languageUkrainian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.subject.otherUkrainian literature
dc.subject.otherSezession
dc.subject.otherfemme fatale
dc.subject.otherdecadence
dc.subject.otherIvan Franko
dc.titleChapter Від femme fatale до femme vital: сліди віденської сецесії в українському модернізмі
dc.typechapter
oapen.abstract.otherlanguageThe femme fatale as a code of Viennese modernism. The article examines the image of the femme fatale as one of the key transnational images of European modernism. Special emphasis is placed on the Viennese ssecession context, as well as the formation of a new type of femininity in the archetypal images of femme fatale and femme fragile in the literature of fin de siècle. In the focus of the research is the transformation of these images in Ukrainian literature from decadence (M. Iatskiv, V. Pachovskyi, I. Franko) to expressionism (V. Vynnychenko). The article examines the ambivalent characterization of femme fatale in the works of Ukrainian authors, which reflects the reception of the image of the “new woman” – emancipated and threatening, awakening creative genius and at the same time associated with sexual threats.
oapen.identifier.doi10.36253/979-12-215-0238-1.11
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221502381
oapen.series.number55
oapen.pages14
oapen.place.publicationFlorence


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