Where Are We Now? - Orientierungen nach der Postmoderne
dc.contributor.editor | Berlich, Sebastian | |
dc.contributor.editor | Grevenbrock, Holger | |
dc.contributor.editor | Scheerer, Katharina | |
dc.date.accessioned | 2024-04-08T14:04:57Z | |
dc.date.available | 2024-04-08T14:04:57Z | |
dc.date.issued | 2022 | |
dc.identifier | ONIX_20240408_9783839462560_116 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/89676 | |
dc.language | German | |
dc.relation.ispartofseries | Edition Kulturwissenschaft | |
dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general | |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture | |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema | |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | |
dc.subject.other | Postmoderne | |
dc.subject.other | Ironie | |
dc.subject.other | Pop | |
dc.subject.other | Posthumanismus | |
dc.subject.other | Heimat | |
dc.subject.other | Populärkultur | |
dc.subject.other | Literatur | |
dc.subject.other | Film | |
dc.subject.other | Musik | |
dc.subject.other | Serie | |
dc.subject.other | Epoche | |
dc.subject.other | Allgemeine Literaturwissenschaft | |
dc.subject.other | Popkultur | |
dc.subject.other | Popmusik | |
dc.subject.other | Kulturwissenschaft | |
dc.subject.other | Postmodernism | |
dc.subject.other | Posthumanism | |
dc.subject.other | Home | |
dc.subject.other | Popular Culture | |
dc.subject.other | Literature | |
dc.subject.other | Music | |
dc.subject.other | Periodicals | |
dc.subject.other | Literary Studies | |
dc.subject.other | Pop Music | |
dc.subject.other | Cultural Studies | |
dc.title | Where Are We Now? - Orientierungen nach der Postmoderne | |
dc.type | book | |
oapen.abstract.otherlanguage | Die Postmoderne ist zu Ende! Seit drei Dekaden hallt diese Diagnose durch den geisteswissenschaftlichen Diskursraum. Doch was kommt jetzt? Die Beiträger*innen des Bandes schlagen kein neues Epochenkonzept vor, sondern widmen sich den Phänomenen Postironie, Pop III, Heimat und Posthumanismus. Mit Hilfe kulturwissenschaftlichen Rüstzeugs klopfen sie zeitgenössische Filme, Serien und Romane auf ihr gegenwartsspezifisches Potenzial ab. Grimes, David Bowie und Olivia Wenzel werden dabei ebenso behandelt wie Donna Haraway, Andreas Gabalier und Leif Randt. | |
oapen.identifier.doi | 10.14361/9783839462560 | |
oapen.relation.isPublishedBy | b30a6210-768f-42e6-bb84-0e6306590b5c | |
oapen.relation.isFundedBy | 4a1ea0f2-e46e-4025-bbc3-e853f4181d49 | |
oapen.relation.isbn | 9783839462560 | |
oapen.relation.isbn | 9783837662566 | |
oapen.imprint | transcript Verlag | |
oapen.series.number | 275 | |
oapen.pages | 416 | |
oapen.place.publication | Bielefeld | |
oapen.grant.number | 101017536 | |
oapen.grant.project | Backlisttransformation EOSC Future |