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dc.contributor.authorEdlund, Bengt
dc.date.accessioned2024-05-13T13:26:39Z
dc.date.available2024-05-13T13:26:39Z
dc.date.issued2015
dc.identifierONIX_20240513_9783653055924_27
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/90182
dc.description.abstractDuring the past fifty years Schenkerian theory has been adopted as the main method for analysing tonal music. This book questions the value of Schenker’s «tonal analysis» for musical description and interpretation, and discusses its relations to «generative» theory and «implicational» analysis – taking into account its links with linguistic syntax and the perception of tonal closure. It is observed how auxiliary theoretical concepts transform the music so as to pave the way for preordained tonal structures. Alternative readings of the music examples are provided.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
dc.subject.otheranalysis of tonal music
dc.subject.otherBengt
dc.subject.otherEdlund
dc.subject.othermusical interpretation
dc.subject.otherQuestioning
dc.subject.otherSchenkerian theory
dc.subject.otherSchenkerism
dc.subject.othertonal closure
dc.titleQuestioning Schenkerism
dc.typebook
oapen.identifier.doi10.3726/978-3-653-05592-4
oapen.relation.isPublishedBye927e604-2954-4bf6-826b-d5ecb47c6555
oapen.relation.isbn9783653055924
oapen.relation.isbn9783653966794
oapen.relation.isbn9783653966800
oapen.relation.isbn9783631661130
oapen.pages497
oapen.place.publicationBern


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