Show simple item record

dc.contributor.authorBerthod, Jonas
dc.date.accessioned2024-05-30T14:01:49Z
dc.date.available2024-05-30T14:01:49Z
dc.date.issued2024
dc.identifierONIX_20240530_9783839471913_40
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/90709
dc.description.abstractIn the small world of Swiss graphic design, prizes such as the Swiss Design Awards (SDA) are followed closely. The winners' works are admired, envied and emulated. The generous prize money allows designers to launch their careers and focus on lesser paid but critically recognised work. Awards thus play the role of bellwethers of the scene. However, criticisms inevitably arise. Speaking in hushed tones, designers speculate as to why a colleague won over another. Rumours have it that jury members favour their inner circles and exclude competitors. Analysing this universe in detail, Jonas Berthod retraces the recent history of the SDA and the emergence of a new design culture in Switzerland.
dc.languageEnglish
dc.relation.ispartofseriesDesign
dc.subject.classificationthema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration
dc.subject.otherGraphic Design
dc.subject.otherSwitzerland
dc.subject.otherSwiss Design Awards
dc.subject.otherDesign Promotion
dc.subject.otherCultural Graphic Design
dc.subject.otherDesign
dc.titleThe Prize of Success
dc.title.alternativeThe Swiss Design Awards and the Closed Networks of Promotion
dc.typebook
oapen.identifier.doi10.14361/9783839471913
oapen.relation.isPublishedByb30a6210-768f-42e6-bb84-0e6306590b5c
oapen.relation.isFundedByc5a613f5-258f-4352-96e0-4bac2a29aca3
oapen.relation.isbn9783839471913
oapen.relation.isbn9783837671919
oapen.collectionSwiss National Science Foundation (SNF)
oapen.series.number64
oapen.pages256
oapen.place.publicationBielefeld
oapen.grant.number[...]


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record