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dc.contributor.authorLim, Wesley
dc.date.accessioned2024-06-06T12:14:49Z
dc.date.available2024-06-06T12:14:49Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/90806
dc.description.abstractAs the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke, August Endell, Alfred Döblin, Else Lasker-Schüler, Segundo de Chomón, and the brothers Max and Emil Skladanowsky. In their writing and artistic work from that period, they depicted the perpetual influx of stimuli caused by urban life—including hordes of pedestrians, bustling traffic, and a barrage of advertisements—as well as how these encounters repeatedly paralleled their experiences of watching early twentieth-century dance performances by Loïe Fuller, Ruth St. Denis, and Vaslav Nijinsky. The convergence these writers and filmmakers saw between the unexpected encounters during their urban strolls and experimental dance performances led to writings that interwove the two motifs. Drawing on cultural, literary, dance, performance, and queer studies, Dancing with the Modernist City analyzes an array of material from 1896 to 1914—essays, novels, short stories, poetry, newspaper articles, photographs, posters, drawings, and early film. It argues that these writers and artists created a genre called the metropolitan dance text, which depicts dancing figures not on a traditional stage, but with the streets, advertising pillars, theaters, cafes, squares, and even hospitals of an urban setting. Breaking away from the historically male, heteronormative view, this posthumanist mode of writing highlights the visual and episodic unexpectedness of urban encounters. These literary depictions question traditional conceptualizations of space and performance by making the protagonist and the reader feel like they embody the dancer and the movement. In doing so, they upset the conventional depictions of performance and urban spaces in ways paralleling modern dance.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: generalen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHD European historyen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world historyen_US
dc.subject.otherdance, modernism, city, urban, Berlin, Paris, posthumanism, space, Rainer Maria Rilke, Alfred Döblin, August Endell, Else Lasker-Schüler, Harry Graf Kessler, Segundo de Chomón, Max Skladanowsky, Emil Skladanowsky, queerness, interpenetration, interweaving, early film, 1900, Fin de siècle, performanceen_US
dc.titleDancing with the Modernist Cityen_US
dc.title.alternativeMetropolitan Dance Texts around 1900en_US
dc.typebook
oapen.identifier.doi10.3998/mpub.11571914en_US
oapen.relation.isPublishedBye07ce9b5-7a46-4096-8f0c-bc1920e3d889en_US
oapen.relation.isbn9780472133307en_US
oapen.relation.isbn9780472039692en_US
oapen.relation.isbn9780472220854en_US
oapen.pages325en_US


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