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dc.contributor.editorMeyer, Roland
dc.date.accessioned2024-06-25T15:03:39Z
dc.date.available2024-06-25T15:03:39Z
dc.date.issued2024
dc.identifierONIX_20240625_9783111085692_32
dc.identifier.issn1611-2512
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/91046
dc.languageGerman
dc.relation.ispartofseriesBildwelten des Wissens
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
dc.subject.classificationthema EDItEUR::A The Arts::AJ Photography and photographs
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
dc.subject.otherImage theory
dc.subject.othervisual studies
dc.subject.otherdigital images
dc.subject.otherforensics
dc.subject.otherphotography.
dc.titleBilder unter Verdacht
dc.title.alternativePraktiken der Bildforensik
dc.typebook
oapen.abstract.otherlanguageDigital images have been under suspicion of manipulation not just since the discussions about "deepfakes" and generative AI. While in the 1990s any digital image evidence seemed questionable, pragmatic answers have since prevailed. Whether and how digital images have actually been manipulated can in many cases be proven by using methods of image analysis and comparative data evaluation. Such practices of image forensics are the focus of this volume. A look at scientific as well as aesthetic procedures, at criminalistic methods, popular television series and artistic practices shows how suspicion towards images itself becomes productive: It not only produces new images, but also a new processual understanding of digital imagery.
oapen.identifier.doi10.1515/978311108569
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isbn9783111085692
oapen.relation.isbn9783111085203
oapen.imprintDe Gruyter
oapen.series.numberBand 19
oapen.pages108
oapen.place.publicationBerlin/Boston


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