Hans Haacke und Pierre Huyghe
Non-Human Living Sculptures seit den 1960er-Jahren
| dc.contributor.author | Ströbele, Ursula | |
| dc.date.accessioned | 2024-06-25T15:03:46Z | |
| dc.date.available | 2024-06-25T15:03:46Z | |
| dc.date.issued | 2024 | |
| dc.identifier | ONIX_20240625_9783111027159_36 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/91050 | |
| dc.language | German | |
| dc.relation.ispartofseries | Schriftenreihe des Studienzentrums zur Moderne – Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte | |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics | |
| dc.subject.classification | thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGT Public art | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles | |
| dc.subject.other | sculpture | |
| dc.subject.other | art | |
| dc.subject.other | 20th century | |
| dc.subject.other | 21st century | |
| dc.subject.other | contemporary art | |
| dc.subject.other | temporary art works | |
| dc.subject.other | Non-Human Living Sculptures | |
| dc.subject.other | art and ecology | |
| dc.subject.other | Hans Haacke | |
| dc.subject.other | Pierre Huyghe | |
| dc.title | Hans Haacke und Pierre Huyghe | |
| dc.title.alternative | Non-Human Living Sculptures seit den 1960er-Jahren | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke’s real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe’s situational-aesthetic works. | |
| oapen.identifier.doi | 10.1515/978311102715 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isbn | 9783111027159 | |
| oapen.relation.isbn | 9783111027111 | |
| oapen.imprint | De Gruyter | |
| oapen.series.number | 5 | |
| oapen.pages | 464 | |
| oapen.place.publication | Berlin/Boston |
