Chapter 2 Grey Time: Anachromism and Waiting for Beckett
| dc.contributor.author | Salisbury, Laura | |
| dc.date.accessioned | 2024-07-11T13:49:27Z | |
| dc.date.available | 2024-07-11T13:49:27Z | |
| dc.date.issued | 2023 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/92130 | |
| dc.description.abstract | Alongside marking Beckett’s obvious fascination with what we would now call greyscale images, this chapter will argue that Beckett’s modernist, often minimalist works also materialise an analogous temporal aesthetic: a grey time structured, in particular, by an attention to waiting without the possibility of fulfilment or progression. In a greyscale image, the value of each pixel is a single sample representing only an amount of light; in other words, it carries information only about intensity rather than chromatic difference. | en_US |
| dc.language | English | en_US |
| dc.subject.classification | thema EDItEUR::6 Style qualifiers::6A Styles (A)::6AH Aestheticism | en_US |
| dc.subject.other | Grey time; Beckett; works; greyscale images; analogous temporal aesthetic | en_US |
| dc.title | Chapter 2 Grey Time: Anachromism and Waiting for Beckett | en_US |
| dc.type | chapter | |
| oapen.relation.isPublishedBy | 2a191404-86cd-479e-afc8-ff2b8d611a94 | en_US |
| oapen.relation.isPartOfBook | b97a1201-190a-4563-b8b8-8a21445914d6 | en_US |
| oapen.relation.isFundedBy | d859fbd3-d884-4090-a0ec-baf821c9abfd | en_US |
| oapen.relation.isbn | 9781474478519 | en_US |
| oapen.relation.isbn | 9781474478540 | en_US |
| oapen.collection | Wellcome | en_US |
| oapen.pages | 34 | en_US |
| oapen.grant.number | 205400/A/16/Z |
