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dc.contributor.authorHartmann, Ina
dc.date.accessioned2024-07-15T11:53:10Z
dc.date.available2024-07-15T11:53:10Z
dc.date.issued2024
dc.identifierONIX_20240715_9783943423990_3
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/92205
dc.languageGerman
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBJ Literary studies: from c 2000
dc.subject.classificationthema EDItEUR::1 Place qualifiers::1D Europe::1DT Eastern Europe::1DTJ Czechia
dc.subject.otherTopology, Czech Literature, Spatial theory, Contemporary Literature, Phenomenology
dc.titleEinsichten aus Räumen
dc.title.alternativeTopologische Transformation in der tschechischen Literatur am Beispiel von Richard Weiner, Věra Linhartová und Daniela Hodrová
dc.typebook
oapen.abstract.otherlanguageThe study examines the conception of space in the literary works of Richard Weiner (1884- 1937), Věra Linhartová (*1938), and Daniela Hodrová (*1946). What unites them is the departure from concrete topographical, experiential space towards an abstract, topologically structured, and poetically transformed space. The work perceives topological space transformation as the exploration of new spatial qualities or as a possibility for a new spatial perception. The first analysis situates Richard Weiner‘s poetics of space within the modernist tradition and initially discusses self-techniques of spatial transformation. It then examines the transformation of nature description in Weiner‘s work, which arises from transformative experiences such as war and revolution. The second investigation focuses on Věra Linhartová, whose poetics of space was heavily influenced by Weiner. Her neo-avant-garde and simultaneously archaic poetics of space revolve around the possibility of adopting a new positionality, through which transcendent spatial qualities can be made visible. The third analysis examines Daniela Hodrová‘s trilogy as an example of her poetics of superimposition, manifested in the three novels through a complex topographical, organic, and geological motif of transformation. The starting point for the transformation and unfolding of historically superimposed layers of space are magical practices and physical actions. Finally, the study identifies developmental dynamic relationships of this constellation and proposes, based on the topological poetics of Weiner, Linhartová, and Hodrová, an interpretive framework with which topological poetics can be examined in further works, taking into account the categories of subjectivity, language, time, narrative form, and materiality.
oapen.identifier.doi10.15460/hup.266.2084
oapen.relation.isPublishedBy35685259-3553-4bae-af55-685815864a93
oapen.relation.isbn9783943423990
oapen.collectionAG Univerlage
oapen.pages278
oapen.place.publicationHamburg


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