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dc.contributor.authorKrauß, Florian
dc.date.accessioned2024-08-13T07:37:27Z
dc.date.available2024-08-13T07:37:27Z
dc.date.issued2024
dc.identifierONIX_20240813_9783031606229_17
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/92678
dc.description.abstractThis open access book examines how TV professionals in Germany have negotiated “quality TV drama” from 2015 to the present. As practitioners have adapted quality TV – a term most strongly associated with US series – to their own national context, they have simultaneously dealt with shifts in screenwriting and storytelling as well as with broader transformations of the local television industry. As in other European countries, in Germany this has included a crucial upheaval: the emergence of various streaming services, which has multiplied the television market. As a systematic study of this changing fiction industry, Television Drama from Germany will be of great interest to both academics and practitioners working both within and outside the German-language television market.
dc.languageEnglish
dc.relation.ispartofseriesPalgrave Studies in Screenwriting
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Television
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts
dc.subject.otherproduction cultures
dc.subject.otherGerman television
dc.subject.otherDrama
dc.subject.otherQuality TV
dc.subject.otherstorytelling
dc.titleTelevision Drama from Germany
dc.title.alternativeProduction, Storytelling and "Quality"
dc.typebook
oapen.identifier.doi10.1007/978-3-031-60622-9
oapen.relation.isPublishedBy6c6992af-b843-4f46-859c-f6e9998e40d5
oapen.relation.isFundedBy660781ae-b4b0-4f0e-853d-21a95f918f6e
oapen.relation.isbn9783031606229
oapen.relation.isbn9783031606212
oapen.imprintPalgrave Macmillan
oapen.pages298
oapen.place.publicationCham
oapen.grant.number[...]


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