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dc.contributor.authorFraser, Benjamin
dc.date.accessioned2024-10-23T09:54:51Z
dc.date.available2024-10-23T09:54:51Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/93929
dc.description.abstractPeople with Down syndrome possess a culture. They are producers of culture. And in the 21st century, this culture is increasingly visible as a global phenomenon. Down Syndrome Culture examines Down syndrome alongside its social, cultural, and artistic representation. Author Benjamin Fraser draws upon neomaterialist and posthumanist approaches to disability as well as the work of disability theorists such as David Mitchell, Sharon Snyder, Susan Antebi, Tobin Siebers, and Stuart Murray. By particularly focusing on Down syndrome, he showcases the unique place that it holds as an intellectual and developmental disability—one that fits between the social and medical models of disability—within the disability studies field. Down Syndrome Culture also pushes the traditionally Anglophone borders of disability studies by examining examples in Spanish, Catalan, and Portuguese-language texts, and incorporating the work of thinkers in Iberian and Latin American studies. Through a close analysis of life writing, documentaries, and fiction films, the book emphasizes the central role of people with Down syndrome in contemporary cultural production. Chapters discuss the autobiography of Andy Trias Trueta, the social actors of the documentary Los niños [The Grown-Ups] (2016), dancers from Danza Mobile, and a variety of fiction films, challenging ableist understandings of disability in nuanced ways. Ultimately, this book reveals the lives, cultural work, and representations of people with trisomy 21 in an international context.en_US
dc.languageEnglishen_US
dc.relation.ispartofseriesCorporealities: Discourses Of Disabilityen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: generalen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFM Disability: social aspectsen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.otherdisability studies, Down syndrome, documentary film, fiction film, life writing, autobiography, dance, inclusive theater, Argentina, Brazil, Chile, Mexico, Spain, Spanish, Catalan, Portuguese, neomaterialism, social model, Andy Trias Trueta, Federació Catalana Síndrome de Down, Catalan Down Syndrome Foundation, Ignoring DS: Memories and Reflections, Los niños, Ana Rodríguez, Ricardo Urzúa, Andrés Martínez, Rita Guzmán, Que nadie duerma, Let No One Sleep, Jaime García, José Manuel Muñoz, Danza Mobile, Alejandra Manzo, Paco de la Fuente, Ariel Goldenberg, Rita Pokk, Breno Viola, intellectual and developmental disabilities, IDD, trisomy 21, neomaterialist, posthumanismist, David Mitchell, Sharon Snyder, Susan Antebi, Tobin Siebers, Stuart Murray, Thomas Couser, Sally Chivers, Evelyn Mogk, Martin Nordenen_US
dc.titleDown Syndrome Cultureen_US
dc.title.alternativeLife Writing, Documentary, and Fiction Film in Iberian and Latin American Contextsen_US
dc.typebook
oapen.identifier.doi10.3998/mpub.12675824en_US
oapen.relation.isPublishedBye07ce9b5-7a46-4096-8f0c-bc1920e3d889en_US
oapen.relation.isbn9780472076918en_US
oapen.relation.isbn9780472056910en_US
oapen.pages204en_US
peerreview.anonymityDouble-anonymised
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.review.decisionYes
peerreview.review.stagePre-publication
peerreview.review.typeFull text
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleExternal Review of Whole Manuscript
oapen.review.commentsThe proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication.


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