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dc.contributor.authorOuzounian, Gascia
dc.contributor.authorWerner, Jan
dc.date.accessioned2024-11-01T10:19:30Z
dc.date.available2024-11-01T10:19:30Z
dc.date.issued2025
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/94149
dc.description.abstractThis companion explores a range of conceptual and practical relationships between sound and space across various disciplines, providing insights from technical, creative, cultural, political, philosophical, psychological, and physiological perspectives. The content spans a wide range of spatial typologies, from large reverberant buildings to modest and intimate ones, from external public squares to domestic interiors, and from naturally formed environments to highly engineered spaces. These compiled insights and observations explore the vast diversity of ways in which sonic and spatial realms interact. This publication therefore forms important bridges between the intricate and diverse topics of technology, philosophy, composition, performance, and spatial design, to contemplate the potential of sound and space as tools for creative expression and communication, as well as for technical innovation. It is hoped that by sharing these insights, this book will inspire practitioners, scholars, and enthusiasts to incorporate new perspectives and methodologies into their own work. Through a rich blend of theory, practice, and critical reflection, this volume serves as a valuable resource for anyone interested in exploring the intricacy of relationships between space and sound, whether they are students, professionals, or simply curious. Our companion provides a cross-section through shared territories between sonic and spatial disciplines from architecture, engineering, sound design, music composition and performance, urban design, product design, and much more.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::A The Arts::AM Architectureen_US
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and designen_US
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMR Architecture: interior designen_US
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMD Architecture: professional practiceen_US
dc.subject.classificationthema EDItEUR::P Mathematics and Science::PH Physics::PHD Classical mechanics::PHDS Wave mechanics (vibration and acoustics)en_US
dc.subject.classificationthema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TT Other technologies and applied sciences::TTA Acoustic and sound engineeringen_US
dc.subject.otherSound of Space,spatial typologies,reverberant buildings,external public squares,domestic interiors,engineered spaces,sonic,technology,spatial design,performance,composition,philosophy,technical innovation,architecture,engineering,sound design,urban design,product designen_US
dc.titleChapter 17 On vibrational architecturesen_US
dc.typechapter
oapen.identifier.doi10.4324/9781003347149-21en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBook16fbceb8-dabb-44e9-a17f-796e4dd5d499en_US
oapen.relation.isFundedByfd53808a-cdec-480e-bf85-f52973f603b7en_US
oapen.relation.isbn9781032388540en_US
oapen.relation.isbn9781032388557en_US
oapen.imprintRoutledgeen_US
oapen.pages18en_US
oapen.remark.publicFunder name: Faculty of Music, University of Oxford


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