Zur Intermaterialität geschnitzter Kästen aus Holz
Die Imitation von Elfenbein, Seide und Gold im Hoch- und Spätmittelalter
| dc.contributor.author | Leopold, Arne | |
| dc.date.accessioned | 2024-11-06T10:37:57Z | |
| dc.date.available | 2024-11-06T10:37:57Z | |
| dc.date.issued | 2024 | |
| dc.identifier | ONIX_20241106_9783111193106_41 | |
| dc.identifier.issn | 2943-5897 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/94306 | |
| dc.language | German | |
| dc.relation.ispartofseries | Materialität und Produktion | |
| dc.subject.classification | thema EDItEUR::A The Arts::AF The Arts: art forms | |
| dc.subject.classification | thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKC Carvings, masks, reliefs | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles | |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDJ European history: medieval period, middle ages | |
| dc.subject.other | material | |
| dc.subject.other | medieval art | |
| dc.subject.other | technique carving | |
| dc.title | Zur Intermaterialität geschnitzter Kästen aus Holz | |
| dc.title.alternative | Die Imitation von Elfenbein, Seide und Gold im Hoch- und Spätmittelalter | |
| dc.type | book | |
| oapen.abstract.otherlanguage | How does materiality affect artistic processes of object creation and reception? This volume examining carved boxes from the High and Late medieval periods deals with interrelations between material and technique. It compiles details of the origin, provenance and function of numerous boxes and also embeds production techniques, material preferences and reception aesthetics in the state of contemporary knowledge. One focus is on interactions and transfers of materials. Wood in particular was used to imitate and evoke ivory, silk and gold, which might bring about social rapprochement between the lower nobility and the higher nobility, or between the carving craftsmen and the bourgeoisie. The analysis of intermateriality establishes that materials, forms and techniques cannot be grasped in isolation. | |
| oapen.identifier.doi | 10.1515/978311119310 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isFundedBy | 6a8a80b2-6ff8-4072-92d3-879feb4654c1 | |
| oapen.relation.isbn | 9783111193106 | |
| oapen.relation.isbn | 9783111193571 | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 580 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] |
