Dressaged Animality
Proposal review
Human and Animal Actors in Contemporary Performance
dc.contributor.author | moravec, lisa | |
dc.date.accessioned | 2024-12-05T04:00:48Z | |
dc.date.available | 2024-12-05T04:00:48Z | |
dc.date.issued | 2024 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/95718 | |
dc.description.abstract | The book combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between ‘societal dressage’ and ‘bodily animality’ that humans and animals share. Within this original theoretical framework, the book develops the concept of ‘dressaged animality’ as a mode of critique to analyse the social and political function of a selection of interdisciplinary forms of ‘contemporary performances’ from the 1960s. | |
dc.language | English | |
dc.subject.other | Art history | en |
dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019) | en |
dc.subject.other | Theatre studies | en |
dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Theatre studies (604029) | en |
dc.subject.other | Art theory | en |
dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art theory (604020) | en |
dc.subject.other | The Arts | en |
dc.subject.other | Thema Subject Codes -- The Arts (A) | en |
dc.subject.other | Contemporary performance | en |
dc.subject.other | dressage | en |
dc.subject.other | animals | en |
dc.subject.other | Marxist analysis | en |
dc.subject.other | feminist theory | en |
dc.subject.other | posthumanist theory | en |
dc.subject.other | Kunstgeschichte | de |
dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019) | de |
dc.subject.other | Theaterwissenschaft | de |
dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Theaterwissenschaft (604029) | de |
dc.subject.other | Kunsttheorie | de |
dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunsttheorie (604020) | de |
dc.subject.other | Kunst | de |
dc.subject.other | Thema Klassifizierung -- Kunst (A) | de |
dc.subject.other | Zeitgenössische Performance | de |
dc.subject.other | Dressur | de |
dc.subject.other | Tiere | de |
dc.subject.other | Marxistische Analyse | de |
dc.subject.other | feministische Theorie | de |
dc.subject.other | posthumane Theorie | de |
dc.title | Dressaged Animality | en |
dc.title.alternative | Human and Animal Actors in Contemporary Performance | |
dc.type | book | |
oapen.abstract.otherlanguage | Das Buch kombiniert marxistische Analyse mit feministischen und posthumanen Methoden, um die Beziehung zwischen „gesellschaftlicher Dressur“ und „körperlicher Animalität“ zu analysieren, die Menschen und Tiere teilen. Innerhalb dieses originellen theoretischen Rahmens entwickelt das Buch das Konzept der „dressierten Animalität“ als einen Modus der Kritik, um die soziale und politische Funktion von einer Auswahl an interdisziplinären Formen von „zeitgenössischen Performances“ zu analysieren. | |
oapen.identifier.doi | 10.4324/9781003439639 | |
oapen.relation.isPublishedBy | Taylor & Francis | |
oapen.relation.isFundedBy | b9371148-b736-41bc-8876-c3872008fb40 | |
oapen.relation.isFundedBy | 26ae1657-c58f-4f1d-a392-585ee75c293e | * |
oapen.relation.isbn | 9781032574851 | |
oapen.relation.isbn | 9781032574882 | |
oapen.collection | Austrian Science Fund (FWF) | |
oapen.imprint | Routledge | |
oapen.grant.number | https://doi.org/10.55776/PUB1123 | |
peerreview.anonymity | Single-anonymised | |
peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Publisher | |
peerreview.review.stage | Pre-publication | |
peerreview.review.type | Proposal | |
peerreview.reviewer.type | Internal editor | |
peerreview.reviewer.type | External peer reviewer | |
peerreview.title | Proposal review | |
oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |