Chapter Attraente, piacevole e senza pena: la concezione del lavoro in Camillo Berneri
dc.contributor.author | Montali, Edmondo | |
dc.contributor.author | Gambilonghi, Mattia | |
dc.date.accessioned | 2024-12-20T12:29:18Z | |
dc.date.available | 2024-12-20T12:29:18Z | |
dc.date.issued | 2024 | |
dc.identifier | ONIX_20241220_9791221503197_70 | |
dc.identifier.issn | 2704-5919 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/96274 | |
dc.language | Italian | |
dc.relation.ispartofseries | Studi e saggi | |
dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHB General and world history | |
dc.subject.other | work | |
dc.subject.other | anarchism | |
dc.subject.other | libertarian socialism | |
dc.subject.other | self-management | |
dc.subject.other | Camillo Berneri | |
dc.title | Chapter Attraente, piacevole e senza pena: la concezione del lavoro in Camillo Berneri | |
dc.type | chapter | |
oapen.abstract.otherlanguage | Within the international anarchist movement, the figure of Berneri presents several elements of originality. His anti-dogmatism and his critique of 19th-century positivist epistemology, with its totalising macro-categories, are translated into Berneri's theoretical battle for the affirmation of the individual and his subjective dimension in History. In his historical reconstruction, work loses its connotation as a biblical 'punishment', becoming a vehicle for the affirmation of personality. In the context of Berneri's revisionism, therefore, free and self-determined labour is the translation onto the plane of social organisation of this anti-determinist tension through which the Italian anarchist attempted to reconcile a probabilistic epistemology with a political praxis open to the most radical experimentalism. | |
oapen.identifier.doi | 10.36253/979-12-215-0319-7.145 | |
oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
oapen.relation.isbn | 9791221503197 | |
oapen.series.number | 257 | |
oapen.pages | 8 | |
oapen.place.publication | Florence |