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dc.contributor.authorBlake, Hugo
dc.date.accessioned2024-12-20T12:38:05Z
dc.date.available2024-12-20T12:38:05Z
dc.date.issued2024
dc.identifierONIX_20241220_9791221503760_271
dc.identifier.issn2704-5870
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/96476
dc.languageItalian
dc.relation.ispartofseriesStrumenti per la didattica e la ricerca
dc.subject.classificationthema EDItEUR::N History and Archaeology::NK Archaeology
dc.subject.classificationthema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
dc.subject.otherAntignano
dc.subject.otherMontelupo
dc.subject.otherMedici
dc.subject.otherSixteen Century
dc.subject.otherpottery.
dc.titleChapter «Quel maestro che fa vasi in Antigniano»: un ceramista al servizio di Cosimo I
dc.typechapter
oapen.abstract.otherlanguageIn the second half of the 16th century a master potter (or two?) worked on the villa-farm of the Medici Duke (later Grand Duke) in Antignano to the south of Livorno. In the 1560s he made “large vases” some of which were inventoried in 1574 and 1578 in the royal palaces of Florence. Towards the end of the century the license given to a tableware maker from Montelupo at Antignano to sell his work in Livorno “and everywhere” was confirmed. While it appears that in the 1560s the potter had been employed to supply vases to the farm, the one known thirty years later seems to have worked on his own account. It is probable that the “kiln-men” known in Antignano in 1571 made lime to build the new port of Livorno. Instead, one of the two brick “kilns” illustrated in the plans in the following centuries, if already in existence before then, was perhaps used to make ceramics.
oapen.identifier.doi10.36253/979-12-215-0376-0.09
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221503760
oapen.series.number225
oapen.pages10
oapen.place.publicationFlorence


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