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dc.contributor.authorXu, Rui
dc.date.accessioned2025-01-06T11:08:32Z
dc.date.available2025-01-06T11:08:32Z
dc.date.issued2025
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/96877
dc.description.abstractCreating with Roots is a critical introduction to the history, theory, and creative practice of Chinese national folk dance, the Chinese-speaking world’s most popular contemporary dance form. A complex cultural and artistic phenomenon that resists simple categorization, Chinese national folk dance merges folkloric material with contemporary stage aesthetics and blends rural folk dances of the Han majority with dances representing China’s minoritized ethnic communities, bridging cultural differences of geography, economic class, and ethnicity. As such, Chinese national folk dance has become a lightning rod for current debates in the arts worldwide—how to balance local heritage with artistic innovation, how to maintain cultural integrity amid commercialization and Eurocentrism, and the ethics of representation in contemporary multiculturalism. Chinese national folk dance is increasingly a globalized phenomenon: schools, classes, competitions, and performances of professionals and amateurs now exist all across the world. Originally published in Chinese and authored by prominent Chinese dance scholar, Rui Xu, this English translation will be an essential resource for the global conversation about how dancers and choreographers navigate tradition and innovation in contemporary national folk dance choreography. Creating with Roots offers a detailed breakdown of key terms and concepts necessary for understanding Chinese national folk dance and analyzes 37 examples of choreography dating from the 1940s to 2000. The author situates these explanations within the longer history of cultural practice and theory in China and in relation to the international dance discourses of the former Soviet Union, Eastern Europe, Western Europe, and North America.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH Historyen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHF Asian historyen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Dance::ATQZ Folk dancingen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Danceen_US
dc.subject.otherChinese Dance, Chinese Ethnic Dance, Chinese Folk Dance, Contemporary Chinese Choreography, Chinese Concert Dance, Chinese Ethnic and Folk Dance, Peacock Dance, Yangge Dance, Mongolian Dance, Uyghur Dance, Han Folk Dance, Dai Ailian, Wu Xiaobang, Beijing Dance Academy, Chinese Dance Criticism, Xu Rui, Emily Wilcox, Yang Liping, Jia Zuoguang, Chinese Dance History, Chinese Dance Theory, Socialist Danceen_US
dc.titleCreating with Rootsen_US
dc.title.alternativeContemporary Chinese National Folk Dance Choreographyen_US
dc.typebook
oapen.identifier.doi10.3998/mpub.12912253en_US
oapen.relation.isPublishedBye07ce9b5-7a46-4096-8f0c-bc1920e3d889en_US
oapen.relation.isbn9780472077151en_US
oapen.relation.isbn9780472057153en_US
oapen.pages255en_US
oapen.remark.publicFunder name: Beijing Dance Academy 70th Anniversary Book Series
peerreview.anonymityDouble-anonymised
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.review.decisionYes
peerreview.review.stagePre-publication
peerreview.review.typeFull text
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleExternal Review of Whole Manuscript
oapen.review.commentsThe proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication.


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