Gendered Memories
External Review of Whole Manuscript
An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs
| dc.contributor.author | Wang, Xian | |
| dc.date.accessioned | 2025-01-06T12:12:48Z | |
| dc.date.available | 2025-01-06T12:12:48Z | |
| dc.date.issued | 2025 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/96881 | |
| dc.description.abstract | Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history. This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. | en_US |
| dc.language | English | en_US |
| dc.relation.ispartofseries | China Understandings Today | en_US |
| dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general | en_US |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism | en_US |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHF Asian history | en_US |
| dc.subject.other | Gendered Memories, Ding Ling, Martyrdom, Female Martyrs, Revolutionary Women, China Studies, Gender Studies, Cultural History, Memory Studies, Chastity Martyrdom, Nationalism, Museum Studies, Modern Chinese Literature, Modern Chinese Culture, Gender Politics, Collective Memory, Women in Revolution, Comparative Literature, Qiu Jin, Xiang Jingyu, Liu Hulan, Feminism, Chinese Revolution, National Commemoration, Nation-building, Female Sacrifice, State Ideologies, Asia Studies, Body Politics, Gendered Violence, Chinese Communist Party | en_US |
| dc.title | Gendered Memories | en_US |
| dc.title.alternative | An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs | en_US |
| dc.type | book | |
| oapen.identifier.doi | 10.3998/mpub.12838586 | en_US |
| oapen.relation.isPublishedBy | e07ce9b5-7a46-4096-8f0c-bc1920e3d889 | en_US |
| oapen.relation.isbn | 9780472077199 | en_US |
| oapen.relation.isbn | 9780472057191 | en_US |
| oapen.pages | 308 | en_US |
| oapen.remark.public | Funder name: The Lieberthal-Rogel Center for Chinese Studies (LRCCS) | |
| peerreview.anonymity | Double-anonymised | |
| peerreview.id | d98bf225-990a-4ac4-acf4-fd7bf0dfb00c | |
| peerreview.open.review | No | |
| peerreview.publish.responsibility | Scientific or Editorial Board | |
| peerreview.review.decision | Yes | |
| peerreview.review.stage | Pre-publication | |
| peerreview.review.type | Full text | |
| peerreview.reviewer.type | External peer reviewer | |
| peerreview.title | External Review of Whole Manuscript | |
| oapen.review.comments | The proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication. |

