From Xenakis’s UPIC to Graphic Notation Today
| dc.contributor.author | Barrett, Richard | |
| dc.contributor.author | Bourotte, Rodolphe | |
| dc.contributor.author | Couprie, Pierre | |
| dc.contributor.author | Delhaye, Cyrille | |
| dc.contributor.author | Després, Alain | |
| dc.contributor.author | Estrada, Julio | |
| dc.contributor.author | Frisius, Rudolf | |
| dc.contributor.author | Furukawa, Kiyoshi | |
| dc.contributor.author | Genevois, Hugues | |
| dc.contributor.author | Giannoutakis, Kosmas | |
| dc.contributor.author | Kamarotos, Dimitris | |
| dc.contributor.author | Lohner, Henning | |
| dc.contributor.author | Mâche, Francois-Bernard | |
| dc.contributor.author | Médigue, Guy | |
| dc.contributor.author | Miyama, Chikashi | |
| dc.contributor.author | Nowok, Lukas | |
| dc.contributor.author | Pape, Gerard | |
| dc.contributor.author | Pietruszewski, Marcin | |
| dc.contributor.author | Robindoré, Brigitte | |
| dc.contributor.author | Rommel, Julia | |
| dc.contributor.author | Scordato, Julian | |
| dc.contributor.author | Shimazu, Takehito | |
| dc.contributor.author | Simon, Victoria | |
| dc.contributor.author | Smirnov, Andrei | |
| dc.contributor.author | Squibbs, Ronald | |
| dc.contributor.author | Tsioukra, Katerina | |
| dc.contributor.editor | Hertz-Labor, ZKM | |
| dc.contributor.editor | Weibel, Peter | |
| dc.contributor.editor | Brümmer, Ludger | |
| dc.contributor.editor | Kanach, Sharon | |
| dc.contributor.other | Kopp, Uta | |
| dc.date.accessioned | 2025-01-20T10:58:29Z | |
| dc.date.available | 2025-01-20T10:58:29Z | |
| dc.date.issued | 2020 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/97868 | |
| dc.description.abstract | From Xenakis’s UPIC to Graphic Notation Today sheds light on the revolutionary UPIC system, developed by composer Iannis Xenakis in the late 1970s. This digital innovation enables the transformation of drawings into musical compositions and continues to shape the world of contemporary music notation. Freely available in open access, this book provides unrestricted access to the historical origins of UPIC and its evolution into modern notation techniques. Richly illustrated, it reveals the unique fusion of image and sound. Through QR codes, readers can experience the compositions interactively. | en_US |
| dc.language | English | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics | en_US |
| dc.subject.other | Musik; UPIC System; Iannis Xenakis; Graphic notation; Contemporary music notation; Computer Music; Music Technology; Sound Architecture; Visual Composition; Music Innovation; Digital music transformation | en_US |
| dc.title | From Xenakis’s UPIC to Graphic Notation Today | en_US |
| dc.type | book | |
| oapen.identifier.doi | 10.61608/9783775747424 | en_US |
| oapen.relation.isPublishedBy | cc860612-3a92-48bc-b3f6-361aa6eb38d9 | en_US |
| oapen.pages | 673 | en_US |
| oapen.place.publication | Berlin | en_US |
