Réinventer l’art sacré
Le Groupe de Saint-Luc (1919-1945)
| dc.contributor.author | Noverraz, Camille | |
| dc.contributor.editor | Romont, Vitrocentre | |
| dc.date.accessioned | 2025-02-18T11:10:06Z | |
| dc.date.available | 2025-02-18T11:10:06Z | |
| dc.date.issued | 2024 | |
| dc.identifier | ONIX_20250218_9783111383781_102 | |
| dc.identifier.issn | 2748-937X | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/98846 | |
| dc.language | French | |
| dc.relation.ispartofseries | Arts du verre / Glass Art / Glaskunst | |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics | |
| dc.subject.classification | thema EDItEUR::A The Arts::AF The Arts: art forms::AFP Ceramics, mosaic and glass: artworks | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGR Religious and ceremonial art | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGT Public art | |
| dc.subject.other | 20th century | |
| dc.subject.other | stained glass | |
| dc.subject.other | Switzerland | |
| dc.subject.other | Geneva group of artists | |
| dc.subject.other | Expressionism | |
| dc.subject.other | Abstraction | |
| dc.subject.other | Alexandre Cingria | |
| dc.title | Réinventer l’art sacré | |
| dc.title.alternative | Le Groupe de Saint-Luc (1919-1945) | |
| dc.type | book | |
| oapen.abstract.otherlanguage | During the first half of the 20th century, artists all over Europe investigated religious art and tried to renew its forms of expression. In Switzerland, an artistic society known as the "Groupe de Saint-Luc" was particularly influential. This book examines the identity and positioning of this group, which developed in tension with major themes, from the relationship between the Church and artists to openness to modernity in art and architecture. | |
| oapen.identifier.doi | 10.1515/978311138378 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isFundedBy | 07f61e34-5b96-49f0-9860-c87dd8228f26 | |
| oapen.relation.isbn | 9783111383781 | |
| oapen.relation.isbn | 9783111383705 | |
| oapen.collection | Swiss National Science Foundation (SNF) | |
| oapen.imprint | De Gruyter | |
| oapen.series.number | 4 | |
| oapen.pages | 480 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] |
