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dc.contributor.authorSmith, George
dc.date.accessioned2025-02-27T09:13:01Z
dc.date.available2025-02-27T09:13:01Z
dc.date.issued2025
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/98950
dc.description.abstractGeorge Smith argues that modern humanity suffers from a late-stage, pre-fatal addiction to scientific-technological thinking. Like most pre-fatal addictions, this one will most likely result in one of three ways: misery, extinction, or human transformation. The question remains, wherein lies the third way? According to Smith, mankind’s chronic and as yet undiagnosed sickness originates in early Western metaphysics and has long been thoroughly globalized. explains unstoppable extractionism and its relentlessly increasing by-product, carbon dioxide. It also explains today’s ever-increasing rate of species extinction and the increasingly likely collapse of the biosphere. Citing climate change tolerance and denial as symptomatic of pre-fatal addiction, Smith turns his analysis to Heidegger’s "question concerning technology" and shows that even Heidegger had become "hooked" on scientific-technological thinking. Surrendering to his disease, Heidegger "steps back" into "meditative thought." This in turn opens Heidegger to an East-West mode of scientific-poetic consciousness, the thinking of artist-philosophers such as Laozi, Hölderlin, and Rachel Carson. For Heidegger, this way of thinking lays the path to mankind’s transformative emancipation from an otherwise inescapable catastrophe. The book will be of interest to scholars of the arts and culture, histories of consciousness, and climate studies.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aestheticsen_US
dc.subject.otherhuman,science,technology,climate change,global warming,carbon dioxide,extinction,collapse,environment,hermeneutics,logic,philosophy,art history,Buddhism,Daoist,global,metaphysics,extraction,Rachel Carson,aestheticsen_US
dc.titleChapter 3 Heidegger, Hölderlin, and the Daoen_US
dc.typechapter
oapen.identifier.doi10.4324/9781003435426-4en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBook03aefbfd-dbde-4c49-9806-1e2a81eac0aden_US
oapen.relation.isbn9781032557328en_US
oapen.relation.isbn9781032564128en_US
oapen.imprintRoutledgeen_US
oapen.pages45en_US
oapen.remark.publicFunder name: Institute for Doctoral Studies in the Visual Arts
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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