OAPEN Library: Recent submissions
Now showing items 221-240 of 48859
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(2026)He essay focuses on Metastasio’s Ezio and its context. It poses the question whether Mira de Amescua’s El ejemplo mayor de la desdicha and the historical character of Belisarius were part of the inspiration sources Metastasio ...
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(2026)Among the manuscripts of the San Pietro Library in Perugia is La Cleomira, an unpublished comedy “trasportata dallo spagnuolo” by the Benedictine monk Placido Adriani (1690–1766), best known for his Selva di concetti comici. ...
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(2026)Several recent studies on Amsterdam’s Grand City Theater (the Schouwburg, est. 1637) have focused on transnational adaptations of Spanish comedias in the Dutch repertory, analyzing ways of transfer, marketing, artistic ...
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(2026)Given that a text is also a book, an object, the correct study of the reception of Spanish dramatic literature in France makes it necessary to look at the diffusion and penetration of the Spanish book. This is what we will ...
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(2026)Lope de Vega, Tirso de Molina, Secretary comedy, Intertextuality, Seventeenth-century Italian theatre.
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(2026)The subgenre of secretary comedy in the Spanish Golden Age theatre centres on plays that explore the romantic conflict tied to the issue of social inequality—whether real or apparent—between a noblewoman and her secretary, ...
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(2026)The communication will focus on the analysis of three adaptations of comedias composed by three female playwrights and performed on the stage of the Parisian Palais-Royal theatre by the two companies, French and Italian, ...
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(2026)This article reconsiders the impact of the Spanish comedia on early-seventeenth-century French theatre, arguing that its influence extends well beyond direct translations to a deep reshaping of dramaturgical practice. It ...
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(2026)This study examines some characteristics of the Italian adaptation of La vida es sueño (La vita è un sogno, 1662-1663) attributed to Giacinto Andrea Cicognini, placing particular emphasis on four aspects: Segismundo's ...
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(2026)Jacinto Cordeiro (1606?-1646) was a Portuguese playwright who worked on comedia nueva in the Spanish language from his native Lisbon. Despite having lived far from the court, we see that his theater is fully in line with ...
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(2026)The essay identifies the Spanish hypotext of Don Gastone di Moncada by Giacinto Andrea Cicognini, an emblematic work of classical Spanish theater in the Italian 17th century, whose several models had been considered up to ...
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(2026)The character of the Captain, often Spanish, has been present in the dramaturgy and stage practices of the Commedia dell'Arte since the origins of this spectacular form in the middle of the sixteenth century. The popularity ...
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(2026)Spanish theatre had set the standard for theatrical performances in Lisbon and other Portuguese cities since the late 16th century. During the Iberian Union (1580-1640), it dominated the aesthetics of comedy, although some ...
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(2026)To celebrate the solemn conversion to Catholicism of Queen Christina of Sweden, in 1655 Giovanni Filippo Apolloni and Antonio Cesti composed L'Argia, a dramma per musica which had good fortune in Italy until the 1680s. The ...
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(2026)The essay is dedicated to the presentation of a Database TespaTrad, based on open code and access technology, which has the goal of collecting translations of classical Spanish theater from the 17th century to the present. ...
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(2026)The article offers an analysis of César Ursin, a comedy by Alain René Lesage (Théâtre français, 1707), the last in a series of French adaptations of the comedy Peor está que estaba by Pedro Calderón de la Barca. The study ...
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(2026)La Donna innamorata da vero, staged in 1771, is one of the nineteen works within Carlo Gozzi ‘Spanish’ theatre corpus. He took the idea from D. Pedro de Urdimalas, defining this type of play as a «commedia spagnuola senza ...
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(2026)By studying the various editions and preserved manuscripts of Calderón’s Eco y Narciso, as well as the possible circumstances that may have influenced the text’s dissemination in Italy, the author of the study develops a ...
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(2026)The Florentine Vascular Surgery School has long led research on peripheral aneurysms, advancing both open and endovascular treatments for carotid, visceral, and lower-limb aneurysms, shaping guidelines, multicenter studies, ...
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(2026)Critical limb ischemia represents one of the most complex challenges in vascular surgery. The Florentine School has made significant contributions to basic research, the development of surgical and endovascular techniques, ...
