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    Masked Media

    What It Means to Be Human in the Age of Artificial Creative Intelligence

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    Author(s)
    Hall, Gary
    Collection
    UK Research and Innovation
    Language
    English
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    Abstract
    If we want a socially and environmentally just future, do we need a radical new theory of change – or to radically change theory? It’s this question Gary Hall and his collaborators have been addressing for over twenty years with experimental publishing projects such as Open Humanities Press, Liquid and Living Books, and the Culture-Led Re-Commoning of Cities. Unsettling received ideas of the author and the book, originality and copyright, real and artificial intelligence, these uncommon communities of theorist-mediums are testing the ‘non-modernist-liberal’ modes of creating and sharing knowledge enabled by various media technologies, from writing and print, through photography and video, to computers and GenAI. By thinking outside the masked black box that renders Euro-Western knowledge-making practices invisible – keeping the human ontologically separate from the nonhuman, be it animals, the planet or algorithmic machines – they show there’s no such thing as the human, the nonhuman already being in(the)human.
    URI
    https://library.oapen.org/handle/20.500.12657/100096
    Keywords
    AI; human; artificial creative intelligence
    ISBN
    9781785421440, 9781785421457
    Publisher
    Open Humanities Press
    Publication date and place
    2025
    Grantor
    • UK Research and Innovation
    Series
    MEDIA : ART : WRITE : NOW,
    Classification
    Artificial intelligence
    Pages
    370
    Rights
    https://creativecommons.org/licenses/by/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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