Greek coins from antiquity are well known for their fascinating and elaborately executed design. While research on the iconography of specific types of coins, minted within a limited timeframe, is still the gold standard, an analysis of key imagery on a supra-regional level and over a longer period provides a more promising approach to questions of image emergence. In this thesis “Entangled Images”, Ulrike Wolf demonstrates the usefulness of a discussion, that focusses on the role coin images have played in the discourse of power of the Western Mediterranean area from 500—100 BC. To understand the processes that lead to the emergence of these images on coins, the author combines quantitative and qualitative methods of analysis and applies a longue durée perspective. Starting with the local contexts of image production, she follows the supra-regional spread of the iconography in the Greco-Roman world.