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        A Beautiful Fight

        The Racial Politics of Capoeira in Backland Bahia

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        Author(s)
        Kurtz, Esther Viola
        Language
        English
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        Abstract
        A Beautiful Fight examines the potentials and limits of capoeira Angola to cohere a multiracial community committed to antiracist struggle. Capoeira, a musical fight-game that originated among enslaved Africans in Brazil, holds special significance for Black Brazilian activists as a spiritual and political practice that affirms the value of Black lives, thus countering anti-Black violence sanctioned by the Brazilian state. However, many capoeira groups count more white practitioners than Black, especially groups of the politicized, Afrocentric style capoeira Angola, raising debates about appropriation of Black culture that resonate across the Americas. A Beautiful Fight addresses these tensions. Drawing on ethnographic research with a multiracial capoeira Angola group in Brazil’s Bahian sertão or backlands, Esther Viola Kurtz explores diverse group members’ understandings of capoeira’s spiritual and political meanings and considers how white participation impacts capoeira’s antiracist politics. A Beautiful Fight argues that white practitioners occupying space in capoeira divert attention from Black members’ concerns and reproduce racist and colonialist ideologies, albeit unintentionally. In this way, the book complicates claims that shared music and dance bridge differences and facilitate cross-racial unity, yet Kurtz proposes that capoeira still transmits knowledge and tools that, when used with intention, commitment, and care, can be wielded to collaboratively contest racism and imagine a more just world.
        URI
        https://library.oapen.org/handle/20.500.12657/112139
        Keywords
        Capoeira; Capoeira Angola; Brazil; Backland Bahia; Afro-Brazilian music; Afro-Brazilian dance; Antiracist resistance; Cultural appropriation; Cultural politics; Racial politics; Axé energy; Ancestrality; Racist ideologies; Coloniality; Whiteness; Political economy; Ethnomusicology; African diasporic music and dance; Critical ethnography; Afro-Brazilian studies; Afro-Latin American studies; Black studies; Dance studies
        DOI
        10.3998/mpub.12771665
        ISBN
        9780472905102, 9780472905102
        Publisher
        Michigan State University Press
        Publication date and place
        2025
        Imprint
        University of Michigan Press
        Series
        Music and Social Justice,
        Classification
        Performing arts
        Ethnic studies
        Theory of music and musicology
        Theatre studies
        Pages
        238
        Rights
        https://creativecommons.org/licenses/by-nc/4.0/
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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