Die Fabrikation von Kreativität
Organisation und Kommunikation in der Mode
| dc.contributor.author | Nyfeler, Judith | |
| dc.date.accessioned | 2019-12-09 14:30:31 | |
| dc.date.accessioned | 2020-04-01T09:23:15Z | |
| dc.date.available | 2020-04-01T09:23:15Z | |
| dc.date.issued | 2019 | |
| dc.identifier | 1006537 | |
| dc.identifier | OCN: 1135853983 | en_US |
| dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/23609 | |
| dc.description.abstract | How is creativity created in fashion? Judith Nyfeler examines the actors involved along with their specific organizational methods (routines, technologies, projects, cooperations) and linguistic expressions (narratives, shows, storytelling). It turns out that instead of constantly renewing, variants are formed, whereby the formal facade of creativity and the operative activities of production are organizationally resolved from each other. The formation of variants is enhanced by language elements, which are always worked on, which in turn represents the basis for change as well as stability in fashion. | |
| dc.language | German | |
| dc.relation.ispartofseries | Sozialtheorie | |
| dc.subject.classification | thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJU Organizational theory and behaviour | en_US |
| dc.subject.other | Creativity | |
| dc.subject.other | Organization Studies | |
| dc.subject.other | Innovation | |
| dc.subject.other | Creative Industries | |
| dc.subject.other | Neo-institutionalism | |
| dc.subject.other | Fashion Studies | |
| dc.subject.other | Change | |
| dc.subject.other | Variation | |
| dc.subject.other | Language | |
| dc.subject.other | Technology | |
| dc.subject.other | Sociology of Organizations | |
| dc.subject.other | Kreativität | |
| dc.subject.other | Organisationsforschung | |
| dc.subject.other | Innovationsforschung | |
| dc.subject.other | Neo-Institutionalismus | |
| dc.subject.other | Mode | |
| dc.subject.other | Wandel | |
| dc.subject.other | Variation | |
| dc.subject.other | Sprache | |
| dc.subject.other | Technologie | |
| dc.subject.other | Organisationssoziologie | |
| dc.title | Die Fabrikation von Kreativität | |
| dc.title.alternative | Organisation und Kommunikation in der Mode | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Wie wird Kreativität in der Mode hervorgebracht? Judith Nyfeler untersucht die daran beteiligten Akteure samt ihrer spezifischen Organisationsweisen (Routinen, Technologien, Projekte, Kooperationen) und sprachlichen Ausdrucksformen (Narrative, Shows, Storytelling). Dabei zeigt sich: Anstatt sich ständig zu erneuern, werden Varianten gebildet, wodurch die formale Fassade der Kreativität und die operativen Aktivitäten der Produktion organisatorisch voneinander gelöst werden. Die Variantenbildung wird durch Sprachelemente verstärkt, die stets mitbearbeitet werden, was wiederum die Grundlage für den Wandel, aber auch die Stabilität in der Mode darstellt. | |
| oapen.identifier.doi | 10.14361/9783839449929 | |
| oapen.relation.isPublishedBy | c03bf030-a9f4-472d-8c22-f28a8788e05e | |
| oapen.relation.isFundedBy | 07f61e34-5b96-49f0-9860-c87dd8228f26 | |
| oapen.relation.isbn | 9783837649925 | |
| oapen.collection | Swiss National Science Foundation (SNF) | |
| oapen.imprint | transcript Verlag - Bielefeld University Press | |
| oapen.pages | 248 | |
| oapen.place.publication | Bielefeld | |
| oapen.grant.number | 10BP12_187370 | |
| oapen.grant.program | Open Access Books | |
| oapen.grant.project | Fashioning Creativity - Neuerungen als Resultat von Technologie und Sprache in der Mode | |
| oapen.identifier.ocn | 1135853983 |
