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dc.contributor.authorLangone, Angela Daiana
dc.contributor.editorEtte, Ottmar
dc.date.accessioned2019-04-24 23:55
dc.date.accessioned2020-03-21 03:00:29
dc.date.accessioned2020-04-01T10:31:03Z
dc.date.available2020-04-01T10:31:03Z
dc.date.issued2016-01-15
dc.identifier1004869
dc.identifierOCN: 1100533994en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/25225
dc.description.abstractMolière, often considered the ‘godfather of Arab theatre’, was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière’s role in the development of a national Arab theatre.
dc.languageFrench
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DD Plays, playscriptsen_US
dc.subject.otherModern Languages and Linguistics
dc.subject.otherarab theater
dc.subject.otherMolière
dc.subject.otherarabic world
dc.titleMolière et le théâtre arabe
dc.title.alternativeRéception moliéresque et identités nationales arabes
dc.typebook
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9783110436846;9783110434453
oapen.collectionKnowledge Unlatched (KU)
oapen.place.publicationBerlin/Boston
oapen.grant.number104789
oapen.grant.programKU Romance Studies
oapen.remark.public21-7-2020 - No DOI registered in CrossRef for ISBN 9783110442342
oapen.identifier.isbn9783110436846
grantor.number104789
oapen.identifier.ocn1100533994


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