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    Resetting the Stage

    Public Theatre Between the Market and Democracy

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    Author(s)
    Klaic, Dragon
    Collection
    Knowledge Unlatched (KU)
    Number
    101235
    Language
    English
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    Abstract
    Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption—as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
    URI
    http://library.oapen.org/handle/20.500.12657/27533
    Keywords
    Arts; European theatre; public theatre; theatre market; commercial theatre
    DOI
    10.2307/j.ctv9hj78n
    ISBN
    9781783200481
    OCN
    1082996609
    Publisher
    Intellect
    Publication date and place
    Bristol, 2012-09-01
    Grantor
    • Knowledge Unlatched - 101235 - KU Select 2017: Backlist Collection
    Classification
    Theatre studies
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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