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dc.contributor.authorKlaic, Dragon
dc.date.accessioned2018-10-01 23:55:55
dc.date.accessioned2020-03-19 03:00:36
dc.date.accessioned2020-04-01T11:56:19Z
dc.date.available2020-04-01T11:56:19Z
dc.date.issued2012-09-01
dc.identifier1002474
dc.identifierOCN: 1082996609en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/27533
dc.description.abstractCommercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption—as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::A The arts::AN Theatre studies
dc.subject.otherArts
dc.subject.otherEuropean theatre
dc.subject.otherpublic theatre
dc.subject.othertheatre market
dc.subject.othercommercial theatre
dc.titleResetting the Stage
dc.title.alternativePublic Theatre Between the Market and Democracy
dc.typebook
oapen.identifier.doi10.2307/j.ctv9hj78n
oapen.relation.isPublishedBydba70200-fc42-4588-b068-f9ec198260f0
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9781783200481
oapen.collectionKnowledge Unlatched (KU)
oapen.place.publicationBristol
oapen.grant.number101235
oapen.grant.programKU Select 2017: Backlist Collection
oapen.identifier.isbn9781841505473
grantor.number101235
oapen.identifier.ocn1082996609


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